They assert that “bodies intricately, intimately, insistently form a crucial part of any persuasive enterprise” and that “multimedia might return us to embodied experiences of language, discourse, and composition—and thus to a critical sense of how composition studies has eschewed such awareness.” Using their own experience with installation rhetoric, they argue, “As participants saw texts and bodies and became aware of their own bodies, they had the opportunity to think and feel their bodies in the process of production and consumption. Such an awareness, we hoped, developed in recognition of the ubiquity of media representation and the production of sexualized discourses about the body and its composition.”